05 January 2013

In the undergrowth

Cock and Hen Pheasant in the Undergrowth


Archibald Thorburn (1860 – 1935) was a Scottish artist and bird illustrator, painting mostly in watercolor. He regularly sketched birds in the wild.


He is acknowledged as one of the greatest painters of birdlife of all time. He acquired the ability to create his minutely detailed paintings, with their evocative and dramatic backgrounds. He sketched from a very early age.


Archibald Thorburn painted birds, animals and flowers but he specialized in the study of game birds. He had a tremendous knowledge of ornithology.


He first exhibited at the Royal Academy at the age of 20, and was a regular figure there throughout the 1880s and 1890s. At the end of the 1890s he became disillusioned with the Academy and exhibited instead at A Baird Carter.


His skill, artistic talent and scientific observation ensured that Archibald Thorburn was recognized as one of the leading artists of his time.



 Cock Grouse


 A Frosty Dawn


 Cock Pheasant 


 English Partridge in Flight


 Bluetits on a Teasel


 Great Bustards


 Golden Eagle


 Greenland or Gyr Falcon


 Old English Pheasant


 Pheasant


 Pintail Teal and Wigeon on the Seashore


 Red Grouse on the Moor


 Woodcock Nesting on a Beach


Western Tragopan



British wildlife, birds. Young blackbird washing in a puddle.

Sweet, sweet funny birdy!




03 January 2013

Porcelain menagerie

Last year (!) end of December, I went @ Etsy.com searching for a figurative immersion into the white bear world. My eyes were immediately caught by this beautiful one:


Sitting White Bear Figurine

Porcelain Menagerie: to keep the handcrafted porcelain animal figurine alive
Ariel Bowman makes animals in clay that reflect her love for nature. She graduated from the Kansas City Art Institute in Ceramics. She has moved home to Dallas,Texas, USA and opened her studio (see how she works, step-by-step, on her blog). Ariel Bowman is the owner of the Etsy shop called Porcelain Menagerie.

Ariel Bowman says: « In ceramics I learned plaster mold making and animal sculpture. I also got to research animals in clay on study abroad trips and travel grants. These took me to the Sevres Porcelain Factory in Paris, the Meissen Factory in Germany, and the Herend Factory in Hungary.»



The manufacture nationale de Sèvres is a porcelain tendre factory in France founded in 1738.


The production of porcelain at Meissen, near Dresden in Germany, started in 1710 and attracted artists and artisans to establish one of the most famous porcelain manufacturers.


From Hungary and founded in 1826, Herend porcelain specializes in hand painted and gilded porcelain.


Ariel Bowman: « All the European factories had one thing in common when it came to their delicate animal figurines: a handmade tradition. I was inspired by the beauty and detail in such small figurines.

When I had the idea for Porcelain Menagerie, it was largely based on the research I had done on these trips and at school. I wanted to keep the handmade traditions of Europe alive in my own sculptures, and share my love for animals.

I started by sculpting each animal individually in oil based clay. I then made plaster molds of each sculpture using the same techniques they use in the European porcelain factories.

Some animals are assembled from several different molds: one each for body, legs or ears. While it is a complicated process, knowing all the steps allowed me to make/do everything myself and by hand.

Clay has always been an important material in my artwork. I rely on clay's ability to capture texture, elegance and natural beauty.

I want to create animal figurines that have the same handmade quality and originality as the ones that so inspired me in Europe.»



All pieces were made from an original sculpture that Ariel Bowman designed and then made plaster molds of for slip casting. All assembly and glazing were done by hand.


This piece is ceramic and the surface is a low-fire white slip with a clear glaze. The ears are hand sculpted with each casting.

The mouse is one of my favorite animals to make because of their dainty features. This little mouse figurine fits in the palm of your hand. ---@Etsy


This piece is ceramic and the surface is a low-fire white slip with a clear glaze. It has been slip cast in order to be very thin and lightweight.The vintage decals used on this bear have a beautiful orange floral pattern. I apply all decals by hand. Some are cut and altered to expand over different parts of the form.

This stocky little bear is sitting in a thoughtful pose that brings it to life even in the small scale. ---@Etsy



This piece is ceramic with a surface of a low-fire white slip with a clear glaze. It was slip cast making it very thin and lightweight. The color on this piece was done by hand using a method called "china painting". China paints are ceramic pigments that fuse with glaze and have to be layered like oil paintings, but are fired in the kiln.

The Kingfisher is best known for using its beak to snap up fish. It is mostly found in Europe and in North America. This bird’s elegant shape and beautiful plumage have always inspired me. ---@Etsy



This piece is ceramic with a low-fire white slip and clear glaze. The eyes and tail tip have been china painted with black to look like the real ermine in winter. The ears are sculpted individually for each piece.

Ermines are also known as stoats and are part of the weasel family. Ermines change their coat from brown and yellow, to white in the winter. These white ermines were often used as a symbol of royalty in Europe. ---@Etsy


This piece is ceramic and the surface is a low-fire white slip with a clear glaze. It was slip cast making it very thin and lightweight. The decals on this rabbit are cherry blossoms. These are cut and applied in various ways for each piece so that the branching cherry blossoms are always individual to each sculpture. Decals are fired on.

I have always been inspired by seeing rabbits in the wild. They are a resilient and resourceful animal with a grace and beauty all their own.

The crouching pose shows a rabbit that is alert and cautious. ---@Etsy


This piece is ceramic and the surface is a low-fire white slip with a clear glaze. It was slip cast making it very thin and lightweight. The decals on this rabbit are pink roses. These are cut and applied in various ways for each piece so that the rose blooms are always individual to each sculpture.

This resting pose shows the rabbit as relaxed, yet ready to spring up at any moment. ---@Etsy


This piece is ceramic and the surface is a low-fire white slip with a clear glaze. The gold luster is a ceramic material that is hand painted and fired on.

This sitting pose shows a rabbit cleaning its face by rubbing forepaws over its nose. ---@Etsy



Custom china painting, luster or decals are available for all the forms in the Porcelain Menagerie shop. Contact Ariel Bowman for a custom order (international shipping).


« The inspiration for my pieces comes from my visits to European porcelain factories. I strive to keep the tradition of the handcrafted porcelain animal figurine alive in every step of my sculptures.»



31 December 2012

Passerelle

Ruin (near Budapest, 2011) 


La demeure de l'homme, c'est l'horizon. – Gabriel Féra


Tamas Dezso is a fine art documentary photographer working on long-term projects focusing on the margins of society in Hungary, Romania and in other parts of Eastern Europe.

Born in 1978 Tamas Dezso was for years a member of the Hungarian newspaper Magyar Hirlap before working as a freelance photographer since 2004.

He lives in Budapest, Hungary.


One year ago, I began photographing the scenes of a world irreversibly decaying, the transformation of a Balkan country surviving the region’s hardest dictatorship.

When capturing the still recordable milieu, I am examining the parallel of a general tendency and personal stories: as resilient humanity condensing into symbolic destinies takes shape in the face of mortality.

– Tamas Dezso


Tamas Dezso's web site


 Abandoned Factory Site (near Szekesfehervar, West Hungary, 2011)


 Abandoned Soviet Base (Szentkiralyszabadja, West Hungary, 2012)


 Building (Emod, North-East Hungary, 2009)


 Bus Stop (North-East Hungary, 2011)


 Deer (North Hungary, 2011)


 Dump (near Aiud, West Romania, 2012)


 Equestrian Statue (Pakozd, North Hungary, 2011)


 Near Jara (North Romania, 2012)


 Roadside Shop (near Oradea, West Romania, 2012)


 Sheep Farm (near Silvasu de Sus, West Romania, 2011)


 Sodium Factory (Ocna-Mures, Central Romania, 2012)


 Soviet Military Painting (Kiskunlachaza, Central Hungary, 2012)


 The Flooded Village of Geamana (Central Romania, 2011)


Tree and House (West Hungary, 2011)




The Persuaders Theme, written by John Barry (1971) redone by europium (2012)



30 December 2012

Hiveresque intergénérationalité

28 décembre
Petite-fille reçoit en cadeau de Noël de grand-maman des patins de gars.


Au magasin de patins



29 décembre
Elle va patiner avec grand-papa.


 Lacer les patins (raides) en toute vitesse


 Main dans la main


 Grand-papa et petite-fille 



 Petite-fille et grand-papa



Dans la cabane aux patins
Petite-fille a de la neige sur les genoux; grand-papa, non.








27 December 2012

Post-punk counterpoint

Henri Fantin-Latour: A Basket of Roses, oil on canvas (1890)



The canvases of M. Fantin-Latour do not assault your eyes, do not leap at you from the walls. They must be looked at for a length of time in order to penetrate them, and their conscientiousness, their simple truth — you take these in entirely, and then you return.
– Émile Zola (1880)



Power, Corruption and Lies is the second studio album by New Order, released in 1983. The cover is a cropped reproduction of the painting A Basket of Roses by French realist artist Henri Fantin-Latour.


Portrait of Niccolo Machiavelli (1469-1527) by Santi di Tito


The art director Peter Saville had originally planned to use a Renaissance portrait of a dark prince to tie in with the Machiavellian theme of the title, but couldn't find a suitable portrait.


Peter Saville saw and liked a postcard with the Fantin-Latour's painting. His girlfriend mockingly asked him if he was going to use it for the cover.


The art director then realized it was a great idea. Peter Saville intended to create a collision between the overly romantic and classic image which made a stark contrast to the typography based on the modular, color-coded alphabet that spells out the catalogue number (Fact 75) of the album [upper right corner].



Peter Saville and New Order’s color code



Distortionned Power, Corruption and Lies by Paul Havell (2010)

Some distortion given to the original Fantin-Latour painting to give it a more modern style. The color-coded title is still here, but placed flat against the top to give the cover some more space.



Michael Zahn: Power, Corruption and Lies, acrylic on canvas (2008)

Power, Corruption and Lies by Michael Zahn takes as its reference a jpeg found on the internet. The painting is a low-resolution copy of the New Order LP sleeve of the same name, which in turn is derived from a floral still life by Henri Fantin-Latour.


Oh, our love is like the flowers
The rain, the sea and the hours.

– New Order, The Village (3rd song)




Martin Boyce: Our love is like the flowers, the rain, the sea and the hours, installation (2003)

In the installation Our love is like the flowers, the rain, the sea and the hours, the Scottish sculptor Martin Boyce uses common elements from public gardens (trees, benches, trash bins) in a game which describes at once a social space and an abstract dream space. The trees, unique sources of light in the exhibition space, produce their own environment.





The album cover for Power, Corruption and Lies was among the 10 chosen by the Royal Mail for a set of Classic Album Cover postage stamps issued in January 2010.


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December 27th: happy holidays, birthday, snowstorm, etc!